We hear music in our souls, and our spirits soar up like seagulls (I haven’t seen any eagles recently). Keeping cozy at home, which apparently is a national trait of Danes (which I claim as part of my ancestry through my maternal grandfather), I have a chance to listen to and learn about music. So I am discovering.
It is embarrassing to admit that only recently have I come to know the vast resources available on YouTube. How could I have missed it? My grandson has used YouTube for years. I gather that now there is even a YouTubeKids for music, videos, games, and all sorts of learning activities specially curated for children and youth.
Lori asks, “Why sleep, when there is so much to listen to on YouTube?” Where have I been all this time? There is even YouTubePremium, which is free for thirty days and gives ad-free performances even when your computer is off-line. And AppleMusic. And all those other streaming services which I am just beginning to appreciate. Wedded as I was (note the tense) to compact discs and the music I have downloaded to iTunes, I have never before taken the time to explore more modern means to access music. That was then; this is now.
The pandemic seems to have stimulated a cornucopia of creative activity waiting for us to share. I have already mentioned free access to the New York Metropolitan Opera videos which I gather can be converted into a subscription at a modest cost.
The Rotterdam Philharmonic Orchestra’s Ode to Joy, “From Us to You,” performed March 20, 2020 on YouTube was among the first. To date, over 2.6 million people have heard their rendition. A couple of days later, musicians from the Toronto Symphony Orchestra performed Appalachian Spring using the same “playing together although apart” modern technology. If you have not yet heard these, check them out.
I have since discovered that Canada’s 125-year-old Mendelssohn Choir has fifteen of its concerts since 2014 available as webcasts on its Vimeo/Livestream webpage. You can also visit their history blog.
Even Toronto Consort, Toronto’s outstanding early music ensemble which I have written about before, has preview tracks of its most recent compact disk “The Way of the Pilgrim: Medieval Songs of Travel,” on its webpage. You can purchase their CDs from Marquis Music, Amazon.ca and iTunes.
I am gearing up for the “One World: Together at Home” concert tomorrow (Saturday) evening April 18, 2020. It bills itself as the largest ever “broadcast and digital performance in support of frontline healthcare workers and the WHO.” Organized in cooperation with Lady Gaga, it will feature over one hundred artists including Canada’s Céline Dion and Justin Bieber. Check out your local schedules to see it on CBC, CTV, and a host of other channels, or catch it on your computer, beginning at 2:00 p.m. EDT. Enjoy.
What an extraordinary Easter it was this year.
Apart physically, as never before, we seemed together more than ever. On Saturday, our family enjoyed a get-together by Zoom: some at home two hours north of Ottawa, others in the eastern GTA, Bill and I in Vancouver. Sunday morning, Bathurst United Church which for decades has met in the chapel at Bloor Street and Walmer Avenue in Toronto, conducted their Easter service by Zoom. Thirty-one members (a good number for this very small congregation) participated, including many old-timers like me who haven’t attended in person for years.
My brother and sister-in-law, who are Roman Catholic, attended four masses over the Easter weekend, all virtual. They could choose mass from their home church or from a dozen other Catholic churches around the city, or cathedrals around the world. My sister and her friend welcomed Easter Sunday morning by tolling the bell at the Gothic yellow wood St. Paul’s Anglican Church in Dawson City, Yukon (built in 1902).
Most sublime was to see and hear global musical icon Andrea Bocelli singing Music for Hope live on Easter Sunday in the empty Duomo di Milano. He sang at the invitation of the Cathedral and the City of Milan, accompanied only by the magnificent Cathedral organist.
His repertoire? Five of the most-beloved pieces of music in the Christian tradition: César Franck’s Panis Angelicus, Charles-François Gounod’s Ave Maria, Sancta Maria (from Cavalleria Rusticana) by Pietro Mascagni, Domine Deus by Gioachino Antonio Rossini, and John Newton’s Amazing Grace. I wept.
Streamed live on Sunday, April 12, 2020, his concert is now trending #1 on the YouTube charts, heard by over 33 million listeners in less than 48 hours. You can still hear it on YouTube. A grand thank you to Andrea Bocelli and the Italians for this incredible gift to the world. A magnificent assertion of hope and renewal in a troubled world.
You may be interested to know that the Andrea Bocelli Foundation (ABF) has started a GoFundMe campaign to raise money for respirators, medical beds and other necessary medical equipment for several hard-hit northern Italian hospitals. As of today’s date, they have raised €237,638, with more coming in since the concert.
In the past, I have written about Tafelmusik’s Sing-along Messiah. Last Saturday, I shared a sing-along experience with a great choir which was totally different, but equally uplifting. On Sunday, February 23rd, the Bach Choir will perform Carl Orff’s Carmina Burana in concert at the Orpheum Theatre in Vancouver. This weekend, they invited other choirs and the public at large to join their rehearsal in a sing-along run-through. It was an utterly delightful experience.
German composer Carl Orff wrote Carmina Burana in 1935-36. It is a cantata based on 24 poems from a medieval collection which covered a range of topics described in Wikipedia as “the fickleness of fortune and wealth, the ephemeral nature of life, the joy of the return of Spring, and the pleasures and perils of drinking, gluttony, gambling and lust.” Written in secular Latin, Middle High German, and Old French, it is one of the favourites of the classical music repertoire. You can hear it on YouTube. Normally sung with full orchestration, for the sing-along, Stephen Smith, rehearsal accompanist for the choir, played the piano.
Cathrie Yuen, Assistant Conductor of the choir, led the singing. She started with a series of exercises, to get the body in shape and the voice ready for the demanding music which followed. Then down to the serious business of singing “Oh Fortuna” and the twenty-four other movements that make up the cantata. After most major movements, Cathrie had suggestions for improvements and the group repeated the singing as she wanted it done. Needless to say, most people knew the music well.
My friend and I chose to sing alto and had never seen the score before. Of course, we had never sung it before. We felt good if we were able to find in the score where the rest were actually singing. It was great fun. And, sitting in the choir, the music was wonderful.
The Vancouver Bach Choir is in its 89th season and is one of the largest symphonic choirs in Canada. Under the direction of Leslie Dala, it performs traditional and new choral works, for a local, national and international audience. Since 1984, it has also built a multi-tiered children’s program that provides choral training to over 350 singers from kindergarten to post-secondary school. More recently, the Sarabande Chamber Choir has emerged for graduates of the youth program, current Vancouver Bach Youth Choir members, and outside applicants.
Donations from the Singable Saturday event were given to the Vancouver Adapted Music Society. Sam Sullivan and Dave Symington, two Vancouver musicians who became disabled as a result of sports injuries, co-founded that organization in 1988. The Society has specialized adaptive equipment which allows people of all levels of disability to learn to play the guitar, bass, keyboards, and to study singing. It also has a fully-accessible studio, which enables disabled musicians to learn studio techniques, record their music, and perform at Vancouver-area gigs. A worthy recipient of a most inspiring event.